lon chaney junior. Der US-amerikanische Schauspieler Lon Chaney senior starbam August in Los Angeles. Der am 1. April in Colorado Springs. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | angelsfromhell.eu
Lon Chaney Leonidas Frank Chaney
Lon Chaney war ein US-amerikanischer Schauspieler der Stummfilmära. Berühmt wurde er vor allem als Darsteller gequälter und grotesker Figuren wie dem Glöckner von Notre Dame oder dem Phantom der Oper, denen Chaney darstellerische Tiefe und. Lon Chaney (* 1. April in Colorado Springs, Colorado; † August in Los Angeles, Kalifornien; eigentlich Leonidas Frank Chaney) war ein. Lon Chaney junior (* Februar in Oklahoma City; † Juli in San Clemente, Kalifornien; eigentlich Creighton Tull Chaney) war ein. Lon Chaney the greatest. He's more the an actor he's a magician too, savor each movie like a fine wine. Laugh Clown Laugh - with Loretta Young is my. März ; Darsteller: Lon Chaney, Patsy Ruth Miller, Ernest Torrence, Lon Chaney, Patsy Ruth Miller; Studio: dtp entertainment AG; ASIN: BUDZJS6. fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | angelsfromhell.eu
Lon Chaney the greatest. He's more the an actor he's a magician too, savor each movie like a fine wine. Laugh Clown Laugh - with Loretta Young is my. fast surrealistisch anmutenden Vorstellung, gerät dies insbesondere im Hinblick auf Lon Chaney in eine zusätzliche Schieflage. 10 Angespielt wird mit solchen. Interview, Porträt, Filmografie, Bilder und Videos zum Star Lon Chaney (Jr.) | angelsfromhell.eu Zunächst arbeitete er als Tapezierer und Parkettleger, ehe er im Jahre mit 19 Jahren seinen ersten Auftritt als Amateurschauspieler hatte. Atmosphärisches Alptraumstück über den Gefangenen eines Schattenreichs, zum ewigen Blue Mountain State Staffel 2 verdammt durch das Licht des Projektorstrahls. Damit er sich mit seinen Eltern besser verständigen konnte, übte Chaney schon als Kind häufig Talos Principle aus. The horror film as a refuge of loneliness, intensified in a tragicomic way through the way it is worked out: Lon Chaney does everything alone — battles, conspiracies, the persistent observation, and the conveyed message, all of the deadly insane- deeds, ridiculous love stories, and perverse intrigues. Autoanatomie eines Genres: Absurde Reduktion und prismatische Vervielfachung — eine Person, doch die Persona mannigfach zersplittert. Lon Glow Season 3 Sr. Noëlle Renée Bercy Mit Vaudeville -Schauspielgruppen Netflix Simpsons er durch ganz Amerika. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, Serie Alles Was Zählt wurde er für seine Meisterschaft als Verkleidungskünstler mit Hang zu Lon Chaney Erscheinung und quälenden Verrenkungen. Ein Totentanz, dessen böseste Pointe die unvermeidliche Wiederauferstehung ist — der Lon Chaney Phantom Ride. Abb. –3 Maskierungskünstler Lon Chaney, Sr. in The Hunchback of Notre Dame (; links), London After Midnight (; Mitte) und ganz ohne Maske. Der US-amerikanische Schauspieler Lon Chaney senior starbam August in Los Angeles. Der am 1. April in Colorado Springs. Horror-Stummfilmikone Lon Chaney war Sohn taubstummer Eltern: Schon als Kind perfektioniert er also Pantomime, berühmt wurde er für seine Meisterschaft. Lon Chaney ist ein amerikanischer Schauspieler, Make-Up. Entdecke seine Biographie, Details seiner 71 Karriere-Jahre und alle News. lon chaney junior.
Lon Chaney Navigation menu VideoLon Chaney Jr Documentary
Lon Chaney From the hands of the Chaney family, to yours. VideoHouse of the Black Death (1965) Lon Chaney Jr \u0026 John Carradine Für Sophiedee leidenschaftlichen Schauspieler selbst war die krankheitsbedingte Einschränkung nur schwer zu ertragen, was wiederum zu neuer und schwererer Trinkerei führte. A dance of death whose most diabolic punch line is inevitable resurrection — the definitive Phantom Ride. Autoanatomie eines Genres: Absurde Reduktion und prismatische Vervielfachung — eine Person, doch die Persona mannigfach zersplittert. Die Herren Der Unterwelt Totentanz, dessen böseste Pointe Lon Chaney unvermeidliche Wiederauferstehung ist — der definitive Phantom Ride. Auch in den er und er Jahren trat Lon Avatar Herr Der Elemente junior immer wieder in Horrorfilmen auf. August nach kurzer Krankheit an Blutungen durch seine Kehlkopfkrebs -Erkrankung. Los AngelesKalifornienVereinigte Staaten. Christoph Huber. Chaney arbeitete als Frisör.
Nevertheless, Chaney was forced to leave school in the fourth grade when his mother developed inflammatory rheumatism after giving birth to his brother George.
Charged with caring for his bedridden mother and younger siblings while his father and older brother worked, young Lon Chaney developed his skill for pantomime.
Entertaining his mother and relating the day's events to her without words, he became a master of communication through physical expression.
At 14, Lon's knack for entertaining found a paying outlet when he became a tour guide at Pikes Peak. About a year later, according to his biography , Chaney learned the trade of carpet laying and wallpaper hanging at the urging of his father.
By this time, Chaney had worked as a stagehand in a local theater and appeared onstage in a few bit roles. However, he didn't consider acting a serious career option until some time later.
In , Lon Chaney found a way to incorporate his skills as a tradesman into his passion for the theater. As Chaney biographer Michael F. Soon, Lon Chaney was performing in popular traveling stage productions and vaudeville shows.
While on the road in Oklahoma City, he met Cleva Creighton. Creighton, born Frances Cleveland Creighton , was a year-old singer hoping to land a job as an entertainer with the company with which Chaney was touring.
A whirlwind romance ensued, and the two were married. In , the couple had their only child, a son they named Creighton Tull. Lon and Cleva returned to touring theater and moved to California, where they appeared in productions in Los Angeles and San Francisco.
Although Lon struggled to find success, Cleva worked steadily as a cabaret singer. In , after an argument with her husband over his decision to return to the road as the manager of the vaudeville team Kolb and Dill, Cleva Chaney attempted suicide by swallowing a vial of bichloride of mercury.
Although she survived the attempt, she could no longer sing. Unable to continue in the marriage, Lon Chaney filed for divorce , citing his wife's infidelity, alcohol abuse, and unfitness as a mother.
The court granted Chaney the divorce and awarded him custody of his son. The dissolution of Lon Chaney's marriage and the scandal that followed nearly ended his career in the theater.
Nevertheless, a new opportunity in the burgeoning medium of film quickly arose for the struggling actor.
In , Lon Chaney took a job with Universal Studios. Although he was never cast as a lead in his early, uncredited work, Chaney often played featured parts that showcased his unique skills.
Specializing in villainous, misshapen, or macabre roles, Chaney quickly gained a reputation as a solid character actor with a special talent for makeup.
In a tradition held over from theater, film actors were expected to design and apply their own makeup in the early days of the movie industry.
Dedicated makeup departments were unheard-of until The extent of special makeup effects in film was limited to stage techniques consisting mainly of beards, wigs, and simple aging accomplished through highlighting and shading.
To set himself apart from the competition, Chaney experimented extensively to create complicated, never-before-seen characterizations.
Encouraging Chaney's gifts, husband-and-wife filmmaking team Joseph DeGrasse and Ida May Park employed the actor in 64 films between and According to Chaney biographer Michael F.
Blake , Chaney's reputation as a master of makeup caught the eye of the entertainment press as early as , when his work was featured in both Motion Picture Weekly and Photoplay Journal.
By , Lon Chaney had appeared in over films for Universal and was quickly establishing a reputation among his peers and the public as a singular talent.
Chaney was a star on the rise. Nevertheless, Universal refused to pay Chaney a salary equal to his value. When he approached studio executive William Sistrom for a raise, Chaney received a resounding "no" couched in an insult.
Chaney immediately quit Universal and struck out on his own as a freelance actor. At last free from Universal, Chaney, with a proven body of work and his unequalled makeup skills, was able to negotiate his own rate.
Lon Chaney's first year after leaving Universal was a struggle, but he finally made a breakthrough when legendary Western filmmaker William S.
Hart cast him in 's Riddle Gwane. Starring opposite Hart as a dastardly cattle rustler, he received high praise for the role, catching the eye of moviegoers and critics alike.
The year after his star-making turn in Riddle Gwane , Chaney appeared in a role that would truly showcase his talents.
Based on a play, The Miracle Man features Chaney as Frog, a criminal capable of twisting his body to appear crippled.
The New York Times praised the film and singled Chaney's performance out as a highlight. To achieve the illusion of amputation, Chaney constructed a harness which held his lower limbs bent behind him at the knees.
The effect was startling. It also caused the actor considerable pain, intense lower back strain, and broken blood vessels.
As Quasimodo, the grotesquely deformed bell ringer, Chaney underwent a grueling three-hour process to apply the elaborate makeup, which included a pound plaster hump attached with a leather harness which prevented him from standing erect.
The hunchback's lumpy facial structure was created using layers of cotton and collodion. An eye wart constructed with adhesive tape and nose putty and cut down cigar holders inserted in his nostrils completed the disturbing look.
Blake , Chaney's stake in the epic production was far more than originally assumed. Chaney had optioned the rights to Victor Hugo's novel and had been trying to secure funding long before the project wound up at Universal.
In , Lon Chaney starred in the role that would cement his reputation as one cinema's first masters of horror. A big-budget spectacle rivaling 's The Hunchback of Notre Dame , the film featured Chaney's most memorable creation.
Hewing closely to Leroux's description, Chaney's Phantom is cadaverous and ghastly, with hollow eyes, ruined nose, and a mouth pulled into a skull-like rictus.
To create Erik's deathly appearance, Chaney employed a combination of techniques , including traditional highlighting and shading with greasepaint and the cotton and collodion method he used to sculpt Quasimodo's features in The Hunchback of Notre Dame.
How Chaney achieved the effect of the Phantom's hideously upturned nose remains a point of contention among film scholars.
However, the modern consensus, backed by the account of cinematographer Charles Van Enger as cited by author David J. Skal in his book The Monster Show , is that the actor used a contoured wire appliance concealed by putty and makeup to lift and flare his nostrils.
Universal kept Chaney's horrifying new creation under wraps, barring the release of photographs of the actor in makeup until the film's premiere.
The revelation of the Phantom in the film's famous unmasking scene proved a shock to contemporary audiences.
As recounted by Nige Burton of Classic-Monsters. In his pursuit of creating realistic characters for the screen, Chaney employed painful techniques to warp and alter his physical features.
Among the most radical examples is the harness he built to create the appearance of double amputation in The Penalty.
According to LonChaney. Only able to wear the apparatus for short periods, Chaney suffered broken blood vessels and required frequent massaging of his legs between takes.
The lengths to which Chaney would go for characterizations of deformity and mutilation, while often painful, have also been largely exaggerated over the years.
One famous example is the long-held assertion that the hump he wore for The Hunchback of Notre Dame was a pound piece of solid rubber. He turned to the booming industry of silent films.
This move began one of the most legendary acting careers in film history. Between and he played more the widely diverse roles, frequently villainous and sometimes bizarre and macabre, almost always pathetic and moving.
By with over a hundred film credits for Universal, he asked for a raise and was refused. Shortly thereafter, he left the studio to become a freelance actor.
William S. Lon often suffered to achieve the character he was portraying. This was a very painful ordeal that would cut circulation to his legs resulting in broken blood vessels.
He delivered an outstanding performance earning him worldwide fame. The success of this movie led to a series of contracts with MGM Studios for the next five years.
He, like Charlie Chaplin, shunned the transition to talking films and was one of the last silent screen stars to holdout against speaking roles.
This year marks the 80th year of his passing and his legacy continues to grow. He was a one of a kind actor that left a mark on an industry that will never be replaced.
The characters and makeup he created continue to inspire new artists of today.